Episode : 8 The poetry of Afghan refugees
During the last six months we have been working with Afghan refugees relocated in Reading on creative writing for wellbeing. We have been comparing Persian literature and heritage, both contemporary and classical, to our own poetry and literature in England. Taking influences from both countries, we have made a book of 25 poems, working in collaboration with Fiona Talkington and Kate Clanchy. We have been especially struck by how, despite war and conquest the Afghan community have strengthened their resolve through the written word, holding onto and sharing the rich Persian heritage of words, and embracing new styles of writing that cannot be destroyed by tanks or rockets.
During the last six months we have been working with Afghan refugees relocated in Reading on creative writing for wellbeing. We have been comparing Persian literature and heritage, both contemporary and classical, to our own poetry and literature in England. Taking influences from both countries, we have made a book of 25 poems, working in collaboration with Fiona Talkington and Kate Clanchy. We have been especially struck by how, despite war and conquest the Afghan community have strengthened their resolve through the written word, holding onto and sharing the rich Persian heritage of words, and embracing new styles of writing that cannot be destroyed by tanks or rockets.
Episode 7 : Rank & File Theatre presents ‘Where Do We Go From Here’
Three travellers, one platform. A call for change, but will change come?
Rank & File Theatre presents ‘Where Do We Go From Here’ - the podcast
Three travellers, one platform. A call for change, but will change come?
Recently performed play of the same name welcomed refugees, asylum seekers and those that have experienced mental health or disability challenges to come together, collaborate, write and perform a play that depicts underrepresented communities crossing paths at a train station and finding that despite their differences, these strangers have more that connects them than divides.
This podcast interviews some of the projects’ participants in an immersive beautifully sound designed experience that welcomes an open and raw insight into marginalised communities that aren’t showcased enough.
https://podcasts.apple.com/us/podcast/where-do-we-go-from-here/id1668820585
https://open.spotify.com/episode/42pti1bRJeQoWyYL0Y2vET?si=YiSh-JQVRGyZgnF-D2aw2A
https://www.audible.co.uk/pd/Where-Do-We-Go-From-Here-Podcast/B0BT9M2HH8
Episode 6: We are not party to the theft
Episode 6 of the Fragments podcast: ‘We live in a world where trained cops can panic and act on impulse, but untrained citizens must remain calm with a gun in their face.’ Elizabeth Achola
Episode 5: Margins of innocence
Episode 5 of the Fragments podcast: ‘Cometh the tories, cometh the lies, cometh Cameron, cometh May, cometh Johnson’ Thabo Makuyana
Episode 4: My Story
Episode 4 of the Fragments podcast ‘We are all freedom fighters in different ways, but what does it mean to be a non violent freedom fighter?’ Mary Juan Pierino
Episode 3: My Zimbabwe
Episode 3 of the Fragments Podcast: ‘Look, before we go in, no politics, no religion, otherwise I’m not going in with you’. Caleb Gomes
Episode 2: Hostile Environment
Episode 2 of the Fragments Podcast - ‘There is no stronger battle than the battle with the home office.’ Oliver Mbolokele
Episode 1: Violent bureaucracy
‘When a brown envelope drops through the letter-box, solidarity is everything.’ Merry
This piece is written with first-hand experience of the treatment of people who claim benefits. It focuses on the terror experienced by disabled people when the brown envelope drops through the letterbox, and the strength that comes from having peer support.
Episode 1 of the Fragments Podcast: ‘When the brown envelope drops through the door, solidarity is everything’. Merry
Episode 0: An introduction
Ira Putilova in conversation with Jude Haste about theatre, social issues and the Fragments project.
Fragments Podcast
Fragments is a 7 part series of conversations with refugees and asylum seekers by Ira Putilova; a Russian non-binary documentary film and podcast maker. Here we explore the social issues of our time and the theatre we have written as a result. Paying particular attention to the role of sound in relation to memory and place.
Rank & File Theatre in partnership with Arts Council England, Reading City of Sanctuary and UEL OLIve, and Reading Refugee Support Group premiered a six-part series of short films documenting the lives of refugees and asylum seekers. The films, each individual and unique were written by refugees originally as a part of a writing event during the pandemic. However, as the lockdowns of last year ensued, they turned into projects of playwriting, performance and expression. Former Chair of Reading Refugee Support Group and City of Sanctuary Trustee Alice Mpofu-Coles began the evening by saying: “Sometimes it is not just the voice that helps, but the art that makes a difference” The first film, We are not Party to the Theft by OLIve Alumni Elizabeth Achola saw a group of freedom fights take on the oppressing military. Although there was a clear leader, each message of unity was always said in unison, and in particular: “We refuse this shame election. We will not be party to the theft.”. The theme of unity against all odds was a powerful start to the evening, and helped the audience understand that although each film was a different aspect of each personal story, their unity in art is what brought them together. Following Elizabeth’s powerful message of unity was Oliver Mbolokele’s Hostile Environment, which was a powerful and direct message to the Home Office. Staged in a home office interview, Oliver is repeatedly asked questions along the lines of “Who are you?” and “What is your status?”, to which he replies: “My status is love. My status is loyalty. My status is my time.”. His true response to the never-ending Home Office questions is one that stays with the audience, who are the only ones in this short film that truly see him as he is – an individual with thoughts and feelings that go beyond a name on a piece of paper. Merry’s Violent Bureaucracy followed suit with the theme of the inhumanity of the Home Office, with a glimpse into the never-ending anxiety that comes to a head when you receive that one brown envelope that will decide your fate. Unable to open it, and unable to face what might be inside, Merry gave the audience an insight into the impact of the Home Office’s decisions has on one’s mental health. Taking a different angle of the refugee experience, Mary Juan Perino’s My Story shows her life before she came to the UK, with fond tales of climbing up trees to peer into the classroom, never stopping the fight to access education. Caleb Gomez’s My Great Zimbabwe, however, tells a not so pleasant story of his life before coming to the UK, with violence repression of free speech over taking his life. The final piece was a collaboration between Jude Haste, Oliver Mbolokele, Elizabeth Achola, Caleb Gomez and OLIve Alumni Thabo Makayuna called Margins of Innocence, a portrayal of the neverending fight to truly be oneself as an asylum seeker, a “perpetual lockdown”. Thabo said on the piece: “This piece was written because one can, in this country, write like this. Most of us are from countries that are dictatorships, and if we wrote, performed and published like this, we would for sure be abducted and killed for speaking out. That’s why I wrote this”. This piece was a compilation of poems and speeches revealing the true desires of the participants; to go home, to provide for their families and to be happy. The evening’s final piece left the audience emotive, thoughtful and inspired, and was a perfect round-off to an evening of refugee and asylum seeker expression, that we can only hope to see more of. After all, sometimes it is not just the voice that helps, but the art that makes a difference. Fragments can be viewed here: https://www.facebook.com/readingrefugees/videos/308104104199151/